Taoist Three Souls Seven Po Poster

A highly detailed vertical poster of Taoist metaphysics, printed in the style of an ancient Chinese religious scroll on aged beige Xuan paper, features exquisite decorative borders, ink calligraphy, faded stains, and classical chart annotations. At the top center, a striking title in black brush calligraphy reads:{argument name="headline text" default="Tao - Three Souls and Seven Spirits"} Below the title is a passage of classical Chinese text written in neat calligraphy. The composition is perfectly symmetrical, with a vertical spiritual axis at the center composed of platinum-gold energy, clouds, and lightning-like "qi" flows, extending from the bottom of the page to the celestial realm. At the very top, in the golden celestial realm above the axis, three Taoist immortals or deities are depicted seated on clouds, arranged to the left, center, and right, with halos and wearing soft green, cream, and blue robes. Below them is a towering, multi-layered cosmic body diagram composed of nine stacked circular domains or platforms, connected by swirling clouds and luminous energy. The five larger domains above represent the five internal organs, presented as miniature mythological landscapes: a forest-green domain representing the liver/wood, a fiery red-gold temple-city domain representing the heart/fire, a terraced yellow earth domain representing the spleen/earth, a silver-blue landscape domain representing the lungs/metal, and a deep blue underwater abyss domain representing the kidneys/water. At the central connection between the upper visceral realm and the lower spiritual realm, place a figure meditating within a bright sphere of light. Below these, add seven gradually darkening, underworld-like circular realms, each corresponding to one of the seven spirits. Each realm is densely filled with miniature scenes of humans, spirits, wild beasts, sacrificial rituals, suffering, temptation, conflict, and karmic symbols, surrounded by drifting smoke and energy bands. At the very bottom, display a human figure meditating in a root-like cave or physical pedestal, surrounded by chains, rocks, and worldly ties. Around the central pillar are nine labeled side panels and charts in traditional Chinese typography: the upper left corner features a circular diagram of the Bagua and Yin-Yang universe; the upper right corner displays a dotted chart of destiny or astrology; the upper left corner contains a list of the Three Souls; the upper right corner contains a list of the Seven Spirits; the middle left corner shows a diagram of the Five Elements with five colored nodes; the middle right corner shows a diagram of the circulation of essence, energy, and spirit with three nodes; the lower left corner contains a vertical list of seven categories or stages; the lower right corner contains a correspondence table; the lower left corner shows a diagram of the relationship between the Five Directions and the Five Elements in the human body; and the lower right corner shows a diagram of the meridians or human body for standing and meditation. Small Chinese labels are used extensively throughout, and each section is stamped with a red classical seal. The overall color scheme is a combination of rustic parchment, dark brown ink, soft jade, vermilion red, smoky gray, gold, cyan, and indigo. The style should present a museum-quality Taoist metaphysical chart texture, extremely complex, combining meticulous brushwork with ink wash, with a strong sense of sacredness, mystery, and academic atmosphere, full of symbolism, extremely delicate lines, and softly layered clouds, making it a high-resolution poster design.