Chinese Calligraphy Poem Landscape

This is a traditional Chinese ink painting hanging scroll, painted on warm beige Xuan paper. It employs a vertical composition, with large black calligraphy characters at the top and right center, and poetic landscape illustrations at the bottom left and center. The calligraphy must be clear and legible, using expressive running script strokes, divided into six vertical columns, read from right to left. The specific text in the six columns is: "A golden goblet of fine wine costs ten thousand coins, a jade plate of delicacies is worth ten thousand coins," "I stop drinking and eating, I draw my sword and look around, my heart is filled with confusion," "I want to cross the Yellow River, but the ice blocks the river; I want to climb Mount Taihang, but the snow covers the mountain," "Leisurely fishing on the green stream, suddenly I dream of sailing to the edge of the sun," "The road is hard, the road is hard, many are the forks in the road, where am I now?" "There will be a time when the long wind breaks the waves, and I will set sail to cross the vast sea." A smaller vertical signature, "Li Bai's Road is Hard," is added to the left of the main poem, and a red square seal is affixed below the signature. In the landscape scene, a figure of an ancient Chinese scholar, dressed in a light-colored robe, with his hair tied in a bun and adorned with flowing ribbons, stands on the edge of a rugged cliff in the lower left corner, gazing into the distance with a pensive expression. Below and throughout the lower half of the painting, a turbulent river or sea is depicted, accompanied by white waves and foam. In the distance, ink-wash mountains are shrouded in mist, with sparse vegetation dotting the cliff edge, the entire scene enveloped in a soft fog. Black and gray ink washes are used, with extremely restrained dark blue-gray rendering added to the water surface and the shadows of the robe. The overall atmosphere is bold, melancholic, and rich in literary flavor, showcasing the texture of classical Chinese landscape painting and museum-quality calligraphy, while maintaining appropriate white space around the text and landscape.